Gulliver's Travels the classic satire

Gulliver’s Travels1 is one of the most classic novels written in the 17th century. It can be seen as a satire, and we should therefore start by take a closer look on this genre.

Defining satire

Aristotle talks about satire in his Poetica and describes it as an early type of comedy in which the former was personal and the later generic. What can be a problematic issue with satires is that they are often dependent on their own time and, therefore, could be hard to comprehend and appreciate in later times. A satire can include timeless ingredients, but the genre also imply that the satire is directed to cast light on contemporary topics.

A distinction between satire and a comedy is that a satire uses irony in a higher degree as a method to expose its “target”. A satire is trying to ridicule something, may it be a political act, a person  or a morale in time. Comedy, however, are more sympathetic to its “clowns” and it is typically not  irony that sets the agenda.

An early exemple of a famous satire are In Praise of Folly by the Dutch Renaissance humanist Eramsus of Rotterdam. Around two centuries later, the Irish Jonathan Swift would write A Tale of a Tub (1704) that in an allegorical way takes on Christianity and morals in a time that has experienced during the Reformation. For its comprehension it should be seen into background of the concern of the many religious practices (the narrative includes three characters that represent three traditions connected to religion: Catholic Church, Angelic Church and radical dissent) that differed from Church of England on the time and would in many cases be notorious for excessive features. 2

Gulliver's Travels and its genre

Gulliver's Travels from 17263 is a product of the Ages of Enlightenment. In the same fashion as Robinson Crusoe, the story is presented as a memoir  (as Robinson, Gulliver is also finding himself deserted at an unknown place after a sea expedition had some kind of mishap). It could be seen in the background of the exploration of the New World that was taking place at this historical era.

It is also similar to Robinson Crusoe in its way to depict in a realistic style, including detailed descriptions of new discoveries and experiences. When Gulliver for the first meet the peculiar Liliputs they could observe him–and so the human being–from a new perspective: “He said, he could discover great holes in my skin; that the stumps of my beard were ten times stronger than the bristles of a boar”. When Gulliver later visits the giant creatures in Brobdingnag, the experiences are the opposite: he watches the humanlike people whose dimensions are extreme as through a magnifying glass: “Their skins appeared so coarse and uneven, so variously colored”.

The content itself are, however, most certainly unrealistic: the reader will meet the most extraordinary creatures. Jonathan Swift’s intention is not at all to create a science fiction story, the made up world and the characters that inhabit them rather to be seen as an allegoric depicting. The book must be read as from a time when the Scientific revolution still was ongoing and the world was not geographically explored as today. Yet, the alleged testimonies of discovered places and their inhabits in the book would not be taken all that serious by the majority of its readers. Swift was a not completely a pioneer in this genre: before Gulliver’s Travels had among other William Dampier published his A New Voyage Round the World.

The strength of Gulliver’s Travels is the imaginative scenarios and situations that occur in the contact with fantastic life and Swift deliver scenarios that we most probably never though of before.

The book is divided in four parts: Part I: A Voyage to Lilliput, Part II: A Voyage to Brobdingnag, Part III: A Voyage to Laputa, Balnibarbi, Luggnagg, and Glubbdubdrib and Part IV: A Voyage to the Country of the Houyhnhnms.

Gulliver's Travels and its satire

And the book is to a high degree a satire that reflex the political circumstances in Swifts own time. For a reader of today, many of the allusions are inevitably overlooked, but a knowledge about them are not at all necessary for enjoy the book (nevertheless, an advise is to read a noted edition in which  inform about various allusions hided in the text).

The main character in the story will face different kinds of governments which illustrate alternative ways to rule thing to ours. The things that going on in these worlds also reflect things that happened in Swift’s own country. He creates satirical elements by deliberately make associations which would serve as an interjection on the contemporary politics and the human nature.

Liliputs constructed by ´lilli´ meaning ´little´ and ´put´ that could derive from the slang word ´putt´as a silly fellow.4 The liliputs are a great contrast to the Houyhnhnms in the last parts. Whereas the liliputs are overly adminstrative about small subject and even go to war for trifles, the Houyhnhnms have minimal administrative with few and short formulated laws. It could be said that Swift reflect in an exaggerated light the humankinds' disposition to fights for irrelevant things whereas a Houyhnhnms way of life is a picture of the ideal world according to the author.

This is one of the methods Swift uses for his satire: to cast new light of the human being and society by exaggerate a likeness of another peoples way of doing things. Another method he uses for satire is to let a representative from a strange race he meets ask him questions of his own people and by his answers make them seem more peculiar when ever. Especially, by letting the other put objections to the manners he has explained and arrange these objections working as a critic.

It could also be made parallels to two other philosofers writings: Thomas Mores' Utopia and Francis Bacons' New Atlantis since both of these also put the existing world side by side with alternative ones. Although Swift is not primarily depicting a utopia in Gulliver's Travels but worlds that contrast in different ways with his own.

The author

Jonathan Swift (1667-1745) was born in Dublin, but lived a part of his life in England where  he was politically active and somewhat influential. But after Queen Anne died and the Whig Party was taking back the political power, Swift return to Ireland.

As a writer he would use his pen for poems, pamphlets and prose. Many of his works was made as satires, but the foremost literary heritage from this Irish writer is the novel Gulliver’s Travels.

Jonathan Swift have for some been known as a misanthrope and this is apparently illustrated in his views about the Yahoos. Yahoos resemble the humans, but are on the same time more animal like. And after Gulliver have left the Houyhnhnms and Yahoos he confuses real humans with Yahoos and do everything he can to avoid them. Where the horselike Houyhnhnms are noble, his own spices are characterized by “vices and corruptions”.5 Although Guliver finally reunite with his family after all hardships on the sea, he is not satisfied with human company: “I must freely confess, the sight of them filled me only with hatred, disgust and contempt”.

But in any circumstances he would engage in the society and also entertain many. Beside that, he gave a major part of his incomes to charity and his left life saving was used to build the first mental hospital in Ireland.6

< The Enlightenment

Notes

1. The full title is Travels into Several Remote Nations of the World. In Four Parts. By Lemuel Gulliver, First a Surgeon, and then a Captain of Several Ships.
2. Eighteenth-Century English Literature. Charlotte Sussman. 2012, p. 143.
3. It was actually not originally publish as a work of Lemuel Gulliver, which serve to give the content a light of genuine testimony.
4. "Notes", p. 226 by Doreen Roberts, Gulliver’s Travels (1992).
5. It may be said that in these times many believed the human race being a degenerated from the previous eras of antique and not until the Enlightenment it would be seen as the humankind was making progress.
6. "Introduction", p. XXVII by Doreen Roberts, Gulliver’s Travels (1992).